An isolated house in the middle of nowhere. A boy and a mother occupy it. A man visits them to ask the boy history questions. If the boy gets it wrong, the mother gets punched in the face by the man. The man fucks the mother, the boy builds a snowman before sneaking back into the house to hear his mother threatening to tell this man’s wife and kids that the boy is his. The man flees. The boy cries after him. The mother and boy follow in their Volvo. A long driving sequence. The mother gives up somewhere during this long driving sequence. She lets go of the wheel, the car cruises onto a lake. The boy pulls the hand break. The car stops, the ice breaks. The boy gets out, the mother stays in the car. The boy watches close by while the car vanishes and the mother drowns. I wish the boy would have drowned too. Cause then he wouldn’t have grown up to become the Snowman killer and I wouldn’t have had to sit through that awful movie following that actually interesting opening scene.
Warning, this review contains massive spoilers.
Continue reading “The Snowman (2017)”
This review sort of contains spoilers.
For years, I have kept a certain distance from Sofia Coppola and her movies due to them being extremely boring for my taste. They take forever to build up, they have very many empty-scenes (a term that I will explain later), and the payoff is usually unsatisfying. The reason I don’t necessarily like Sofia Coppola’s movies is because I have a hard time actually watching them, which makes The Beguiled a special one. But, I must confess that since initially rating it, I have lowered my score from 4 to 3, because the more I think about The Beguiled, the more I’m disappointed in its direction and lack of intrigue.
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Some of my favourite films are directed by Christopher Nolan: Inception, The Dark Knight (mostly because of Ledger) and I also have fond memories of watching Memento as a kid. I even remember being fascinated by Insomnia when I saw it years ago. But then there’s also Interstellar which I didn’t like at all and nothing could make me want to see that movie ever again. So before seeing Dunkirk I was expecting greatness but I also had that nagging worry inside my brain that the last Nolan movie was a space opera I almost fell asleep to. So my emotions were all over the place before the movie. My emotions after the movie were even more scattered, but for entirely different reasons.
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Guy Ritchie is still one of my favourite directors and I’m not backing up on that statement any time soon. Sure, love for him stems deeply from adoring Snatch, but his directing style is still something I enjoy despite his latest movies not being perfect. So yes, I think his style is still on point in King Arthur: Legend of the Sword, despite the movie lacking instant appeal and uniqueness. And while I will always have nostalgic appreciation towards Ritchie, for me, this mythical block buster felt flat and empty, even though it tried hard to hit all the right marks.
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This review contains spoilers.
A hero among heroes is told to be have formed of clay and brought to life by Zeus himself. This hero is curious, kind and wants to see only the good in the world. This hero also has to earn the right to wield a weapon, to learn how to fight, to become stronger and this against the wishes of someone who wants to keep the hero safe. Most importantly, this hero has also been blind to the horrors of the outside world, protected by the utopia created for these warrior heroes. So when the world comes crashing through into the hero’s perfect life, the need to protect, to help and to care for those who cannot do it themselves, guides our hero to mend the world. But what makes this hero more special than all the others who have saved lives and protected the weak, is not just the kindness and the heart, but the utmost belief that life is full of wonder! This hero’s named Diana.
Continue reading “Wonder Woman (2017)”